En este libro se reúnen mis encuentros con quince autores contemporáneos. Mientras preparaba las primeras entrevistas pensaba que mi interés eran los procesos creativos de cada director o directora, pero, en el camino me di cuenta de que mis preocupaciones iban mucho más allá de entender el oficio. Me descubrí trazando relaciones de entrevista a entrevista, armando una constelación personal entre autores, detectando sus tradiciones, influencias, haciendo interpretaciones, creando puentes y diálogos. También descubrí que, aunque todos los diálogos fueron sostenidos con un buen grado de espontaneidad, sin seguir un formato idéntico, en ellos se repetían ciertas preguntas de forma …

Perspectivas etnográficas y fotografías raras de principios del siglo XX Este volumen excepcional reúne fotografías de archivo inéditas del Museo Etnológico de San Petersburgo junto con un texto etnográfico profundo que ilumina los mundos espirituales de los chamanes de Siberia y Corea. Captadas a comienzos del siglo XX, estas imágenes son testimonio de una época en la que el ritual, el mito y la vida cotidiana estaban estrechamente entrelazados. A través de comentarios detallados e ilustraciones vívidas, el libro explora las cosmologías chamánicas, las prácticas ceremoniales, los rituales de sanación y el papel social de los chamanes en sus comunidades. …

Albrecht Dürer (1471-1528) is widely regarded as one of the most significant artists of the Northern Renaissance. Born in Nuremberg, Germany, Dürer became renowned for his mastery of various mediums, including painting, printmaking, and wood-cutting. Throughout his life, Dürer produced a vast array of works that demonstrated his technical skill and innovative vision. His art often incorporated religious and classical themes, and his use of perspective and realism helped to establish new standards in European art. Beyond his artistic achievements, Dürer was also a prolific writer and thinker. His treatises on geometry, human proportion, and the theory of perspective remain …

The seascapes of Ivan Aivazovsky (1817-1900) made his name in Russia, his native country where he was a painter of the court of Nicholas I, yet his fame barely extended beyond these borders. Master of the Sublime, he made the ocean the principal subject of his work. Sometimes wild and raging, sometimes calm and peaceful, the life of the ocean is composed of as many allegories as the human condition. Like Turner, whom he knew and whose art he admired, he never painted outside in nature, nor did he make preliminary sketches; hispaintings were the fruit of his exceptional memory. …

Si el alma es un concepto cristiano, la belleza es un concepto griego. Freud definió la estética como la construcción intelectual de los parámetros personales que se expresan en emociones sublimes. En la escultura griega, el hombre se vuelve Dios, y los dioses le prestan su imagen a la humanidad. Al desafiar las leyes de la gravedad, los escultores griegos exploraron la armonía, las formas y los espacios que modelaron nuestro inconsciente de acuerdo con los cánones de la belleza eterna durante más de dos mil años. El historiador del arte Edmund von Mach reflexiona sobre la historia épica de …

Islamic art is not the art of a nation or of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra and the Alhambra in Granada, architectural …

Since the first funerary statues were placed in the first sepulchres, the ideas of death and the afterlife have always held a prominent place at the heart of the art world. An unlimited source of inspiration where artists can search for the expression of the infinite, death remains the object of numerous rich illustrations, as various as they are mysterious. The ancient Egyptian Book of the Dead, the forever sleeping statues on medieval tombs, and the Romantic and Symbolist movements of the 19th century are all evidence of the incessant interest that fuels the creation of artworks featuring themes of …

Amsterdam rejoices in more than simply its famous canals and its celebrated collections of the works of Rembrandt, Vermeer and Van Gogh. It has a museum dedicated to the Goddess of Love, which welcomes no fewer than 500,000 visitors a year. From all over the world people come in their thousands to this unusual establishment known as “The Temple of Venus”. First put on display together in 1985 by Monique van Marle and her father, this collection of erotic works is exceptional for the quality of the objects exhibited, its engravings and its photographs of yesteryear. Far from being a …

India, with its extensive and colourful history, has produced an artistic tradition in many forms. Architecture, painting, sculpture, calligraphy, mosaics, and artisan products all display the country's cultural, religious, and philosophical richness. From Hinduism, with its pantheon of imagery of gods, goddesses, animals, and many other figures, to Islam, with its astounding architecture and intricate calligraphy; the many facets of India have given rise to a fascinating and beautiful collection of artworks. Featuring incredible images and a text written by a renowned scholar on the subject, this work offers an in-depth look at the masterpieces of India, showcasing this fascinating …

Pierre Bonnard was the leader of the group of post-impressionist painters who called themselves “the Nabis”, from the Hebrew word for “prophet”. Influenced by Odilon Redon, Puvis de Chavannes, popular imagery, and Japanese woodblock printing, Bonnard, Vuillard, Vallotton and Denis (to name the most prominent members) revolutionised the spirit of decorative technique during one of the richest periods in French painting. Although the increasing individualism of their works often threatened to weaken their unity, the Nabis were above all a group of close friends. The artwork presented in this book − varying between Bonnard’s guilelessness, Vuillard’s ornamental and mysterious works, …

Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined …