Artes

The Life and Masterworks of J.M.W. Turner
The Life and Masterworks of J.M.W. Turner
Eric Shanes

At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in his native land and then on several occasions in France, the Rhine Valley, Switzerland and Italy. He soon began to look beyond illustration. However, even in works in which we are tempted to see only picturesque imagination, there appears his dominant and guiding ideal of lyric …

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Gustav Klimt
Gustav Klimt
Jane Rogoyska, Jane Rogoyska, Patrick Bade

“I am not interested in myself as a subject for painting, but in others, particularly women…”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional …

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Leonardo Da Vinci - Artist, Painter of the Renaissance
Leonardo Da Vinci - Artist, Painter of the Renaissance
Eugène Müntz
“Studying nature with passion, and all the independence proper to his character, he could not fail to combine precision with liberty, and truth with beauty. It is in this final emancipation, this perfect mastery of modelling, of illumination, and of expression, this breadth and freedom, that the master’s raison d’être and glory consist. Others may have struck out new paths also; but none travelled further or mounted higher than he.” (Eugène Müntz)
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Lempicka
Lempicka
Patrick Bade

The smoothly metallic portraits, nudes and still lifes of Tamara de Lempicka encapsulate the spirit of Art Deco and the Jazz Age, and reflect the elegant and hedonistic life-style of a wealthy, glamorous and privileged elite in Paris between the two World Wars. Combining a formidable classical technique with elements borrowed from Cubism, Lempicka’s art represented the ultimate in fashionable modernity while looking back for inspiration to such master portraitists as Ingres and Bronzino. This book celebrates the sleek and streamlined beauty of her best work in the 1920s and 30s. It traces the extraordinary life story of this talented …

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Homosexuality in Art
Homosexuality in Art
James Smalls
This book is not a panegyric of homosexuality. It is a scientific study led by Professor James Smalls who teaches art history in the prestigious University of Maryland, Baltimore. Abandoning all classical clichés and sociological approaches, the author highlights the sensibility particular to homosexuals. This book examines the process of creation and allows one to comprehend the contribution of homosexuality to the evolution of emotional perception. In a time when all barriers have been overcome, this analysis offers a new understanding of our civilisation’s masterpieces.
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Romanticism
Romanticism
Léon Rosenthal

Romanticism was a reaction against the Neoclassicism that invaded the 19th century, and marked a veritable intellectual rupture. Found in the writings of Victor Hugo and Lord Byron, amongst others, its ideas are expressed in painting by Eugène Delacroix, Caspar David Friedrich and William Blake. In sculpture, François Rude indicated the direction this new artistic freedom would take, endowing his work with a movement and expression never previously seen. By retracing the different stages of its evolution, this book offers a study of the different aspects of the Romantic movement. Thanks to a thorough and in-depth analysis, the reader can …

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The Art of Pleasure
The Art of Pleasure
Hans-Jürgen Döpp

The new millennium offers perfect timing for publication of a large volume on the history of eroticism. Today, we paradoxically face both new freedoms and increasingly stereotyped language. Political correctness is the new norm and images now stand raised to the status of icons, especially images of women. In earlier millennia, women were goddesses or Holy Virgins, but today they are fashion models. This demotes Apollo into a male model or movie star. What happened to the insolence of the 18th-century libertines or the carefree excesses of the Belle Epoque and legalised brothels? Except for a handful of dusty outdated …

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Chinese Art
Chinese Art
Stephen W. Bushell
Dealing not only with architecture, sculpture, and painting, but also with bronze and ceramics, this text offers a complete panorama of Chinese arts and civilisation. In his text, the author Bushell stresses the importance of knowing the society to understand the arts.
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Russian Impressionists and Post-Impressionists
Russian Impressionists and Post-Impressionists
Mikhail Guerman
The 1860s were marked by a strong realistic movement in Russian painting. Artists became interested in depicting the lives and customs of their fellow countrymen. This new art form was mostly the work of the Itinerants group, who wanted to take art to the people and paint the outdoors. Mikhail Guerman traces the converging lines of Russian and French art in the immensely fertile period of the late 19th and early 20th century.
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A deep dive into Impressionism
A deep dive into Impressionism
Nathalia Brodskaïa

I paint what I see and not what it pleases others to see. What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best designate the movement of Impressionism? Without a doubt, this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist." In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a …

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Cubism
Cubism
Dorothea Eimert, Guillaume Apollinaire

Les Demoiselles d’Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines - with this work, Picasso revolutionised the entire history of painting. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, led by Braque and Picasso, imposed a new vision upon the world that was in total opposition to the principles of the Impressionists. Largely diffused in Europe, Cubism developed rapidly in successive phases that brought art history to …

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Jasper Johns
Jasper Johns
Catherine Craft

At a time when the dominant mode of painting, Abstract Expressionism, emphasised expressive drama through bold brushwork and largely abstract compositions, Johns’ paintings of the American flag, targets, numbers and the alphabet demonstrated a decided departure from convention. Despite being painted with obvious care, they seemed emotionally reticent, cool and quiet, far from the emotional fireworks then fashionable. “It all began… with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn’t have to design it. So I went on to similar things like the targets - things …

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